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XI Premio Internacional de Novela Mario Vargas Llosa.

A la muerte del presidente Fidel Castro, el hombre que más cerca ha estado de él -su guardaespaldas predilecto- rememora lo sucedido en más de cuarenta años, desde que, siendo un niño, se unió a los rebeldes en las montañas y se ganó la confianza del líder para convertirse en su sombra. Bajo esa mirada -cegada por la admiración, cargada de fidelidad-, la trama recorre los más señalados hitos de la Revolución Cubana, pero no evocando la historia oficial, sino la que el pueblo se ha forjado en la intimidad, más cercana a la posible verdad.

Éxito editorial en Alemania, donde su autor, cubano, reside desde hace años, y alabada entre otros por dos Premios Nobel de Literatura, es una novela en la que respiran y deambulan como seres reales nombres que han frecuentado las cabeceras de los periódicos de todo el mundo: Fidel, el Ché y muchos otros cobran vida en esta obra de Amir Valle, que rescata merced a una narrativa magistral
una de las corrientes temáticas que mayores logros ha deparado en la tradición latinoamericana: la novela del Dictador.



“La novela es excelente. […] La historia interesa por sí misma y de ella transpira, como en las mejores novelas comprometidas, una visión crítica que es ética y cultural antes que política. Se lee con interés, expectativa y, por momentos, con un humor que descarga la insoportable y opresiva tensión.” Mario Vargas Llosa, Premio Nobel de Literatura 2010

“He tenido durante mucho tiempo una conciencia culpable porque todavía no había podido darle las gracias por su hermosa novela Las palabras y los muertos. Así que gracias por esa mirada sobre Cuba, que por desgracia aún no vive el final de la dictadura. Puedo imaginar cómo se siente. Cuando vivía en Rumania, también tuve la sensación de desesperanza que hay en su novela”.
Herta Müller, Premio Nobel de Literatura 2009

"Es lo mejor que he leído en los últimos cuarenta años de literatura cubana. No creo que después de El Siglo de las Luces se haya escrito en Cuba otra novela como Las palabras y los muertos. Asombrosa a los cuarenta años. Hay que ser muy escritor para esa hazaña.” Manuel Vázquez Portal.

“Terminé la novela abatido por la lucidez narrativa del texto y convencido de que a Cuba le acababa de nacer su tercer narrador determinante, luego de Carpentier y Soler Puig”.
Ladislao Aguado

“Una de las mejores novelas que he leído en los últimos veinte años. Me atrevo a decir que va a quedar en la historia de las letras cubanas”.
Justo Vasco

"Por sus páginas desfila una buena nómina de canallas, cortesanos y otros tipos pintorescos cuyos perfiles suele dar el novelista con un par de pinceladas generalmente certeras. […] esta narración debe haber caído en La Habana como una bomba de neutrones. Lo bueno de que la premisa (“Fidel ha muerto”) no se haya cumplido todavía, es que sin duda el Comandante ha leído el libro y ha podido comenzar a imaginarse cómo será el juicio histórico. Ya sabe que no lo van a absolver”.
Carlos Alberto Montaner, escritor y periodista cubano

• Sales Rank: #1642321 in eBooks
• Published on: 2015-09-21
• Released on: 2016-02-06
• Format: Kindle eBook

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• Sales Rank: #450935 in Books
• Published on: 2014-09-30
• Number of items: 2
• Binding: Hardcover

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• Sales Rank: #12513137 in Books
• Published on: 1983
• Binding: Hardcover

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• Sales Rank: #1153620 in Books
• Brand: Brand: Flammarion
• Published on: 2012-09-04
• Released on: 2012-09-04
• Original language: English
• Number of items: 1
• Dimensions: 11.47" h x 1.12" w x 10.04" l, 3.80 pounds
• Binding: Hardcover
• 216 pages

Features

• Used Book in Good Condition

Review
"Timeless and enduring, the Cartier Tank Watch has become a symbol of luxury and elegance for both men and women since its launch in the early twentieth century." ~Antiques & Auction News

About the Author
Franco Cologni, writer and historian, is the author of numerous books on the history of watch making and jewelry, including The Cartier Collection: Timepieces (2006) and Cartier: The Tank Watch (1998), both published by Flammarion. Éric Sauvage is a prominent luxury and lifestyle photographer.

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5 of 5 people found the following review helpful.
Cartier: The Tank Watch
By Gerry
Great history of the Cartier tank watch through the 20th century until now. Full of interesting information and photographs.

Fun to see how the tank has evolved over the years and who wore it in the past.

1 of 1 people found the following review helpful.
Five Stars
By Jean Vandervliet
It was a gift to my son and he was very pleased

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Cartier, The Tank Watch Timeless Style
By J. Hannan
Perhaps the most fascinating book encountered this year. A masterpiece in historical research and interpretation, accompanied by outstanding photographs.

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• Sales Rank: #6785386 in Books
• Published on: 2008-01-30
• Number of items: 2
• Binding: Paperback

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22 of 25 people found the following review helpful.
Excellent
By R. Albin
This is an ambitious and successful attempt to write the social history of Fascism. Italian Fascism, Bosworth reminds us, controlled Italy for almost a generation, a considerably longer period than the disastrous experiment of Nazi rule of Germany. How was Fascism experienced by Italians? To what extent did Fascism change Italy? What were the essential features of Fascist rule? What were the well springs of Fascism? Bosworth treats all these issues and more in this carefully documented and well written volume. Rather than pursuing these issues topically, Bosworth has organized this book chronologically. He begins with the nature of Liberal Italy and the experience of WWI, moves through the interwar period and the grim events of WWII, concluding with a concise but revealing chapter on postwar fascist movements. He weaves his topical themes into the narrative very well, providing considerable analysis and showing the historically dynamic nature of the Fascist experience. This combination of narrative and analysis is excellent.

Bosworth is particularly concerned with providing a balanced view of Fascist Italy. The Fascist state is often viewed popularly as a comic opera dicatorship. Bosworth shows well that Fascist Italy appears to be relatively benign only by comparison with Nazi Germany or the Stalinist Soviet Union. This oppressive dictatorship destroyed democracy and human rights in Italy, and by Bosworth's reckoning, was ultimately responsible for about 1 million deaths in Italy, the Balkans, and Africa. It was a police state in which millions of Italians were informing on each other, corrupting the quality of public life. At the same time, Bosworth addresses the "totalitarian" nature of the regime, a claim made by the Fascists themselves that they were remaking the Italian people. Due in large part to the actions of Fascist leaders themselves, this claim is shown to be a fraud. Fascist government itself exemplified the reliance on chains of patronage and clientage with its associated corruption typical of Italian society. Mussolini was quite content to compromise with powerful existing institutions like the Monarchy, the Papacy, and the Army. Bosworth shows very well the continuity the Fascist state had with the Liberal state it replaced and indeed, many of the crucial features of Italian Fascism appear to be extensions of some of the worst features of pre-WWI Italy.

Bosworth's work is careful, thoughtful, and presented extremely well.

11 of 11 people found the following review helpful.
Well-written, except for political commentary
By Robert Fishman
Professor Bosworth puts together a well-balanced look at the development of Italy's Fascist Party and its subsequent takeover of Italy. While arguing that Mussolini was far from innocent, Bosworth does show that he was considerably less malignant than either Hitler or Stalin. For instance, Mussolini did not create anything approaching the horrors of Auschwitz. Moreover, he shows how, unlike those other 2 dictators, Mussolini never established a truly totalitarian state (despite his boasting to the contrary). For instance, the Catholic Church remained as a leading institution within Italian society, and did not always toe the Fascist line. The same thing applies to the Italian monarchy (although Bosworth does not present King Victor Emmanuel III in a positive light). Moreover, he makes a convincing case that the Rome-Berlin Axis was clearly a marriage of unequals, with Italy playing the role of a very junior partner (apparently, Italians did not figure highly in the Nazi racial hierarchy). Even though "national characteristics" are no longer en vogue among historians, I got the impression from this book that Italians were somehow culturally incapable of establishing a genuinely totalitarian state, not to mention one that would seek to create any sort of "new world order." Bosworth also peppers the book with references to Italian Jews who were active in the Fascist Party. This is obviously a striking contrast to the situation in Nazi Germany. On a more critical note, I wish that Bosworth would have given more attention to the issue of "Italia Irredentia" as a function of Mussolini's foreign policy. After all, the Paris Peace Conference did not resolve this issue in Italy's favor (as it had created Yugoslavia out of much of that territory). Why didn't Mussolini attempt to grab this territory before undertaking a far more costly invasion of Ethiopia? After all, Yugoslavia during this period was a rather unstable nation, in jeopardy of coming apart due to increased ethnic tensions. This would have been interesting to read about. In addition, I found Bosworth's random references to contemporary politics unnecessary. He should have focused all of his energy on his title subject.

13 of 14 people found the following review helpful.
A challenge
By Pkneeno
For a first generation American-Italian with an interest in both history and specifically Italian history this book is very frustrating. Bosworth doesn't give us the big picture, but rather a collection of names, political labels, and half stories that leave the reader looking for the thread, looking for the central theme. The first three chapters must list 20+ characters who had some influence on Italy's post WWI politics. None of the named individuals is fleshed out enough to understand what his or her influence was exactly. It's as if Bosworth had a stack of index cards and just transcribed, not really making any effort to link to a chronology or specific theme. His language is frightfully ham-handed in places. The footnotes: Prof B. has 2013 footnotes in 572 pages. The winner is chapter 16, a 35 page chapter with 172 footnotes. It's not that accurate citations are a problem. We want accurate, trustworthy research. It's that the footnotes are indicative of the lack of any coherent theme. We want accurate, trustworthy scholarship, but give us some sort of overview. This is like reading a well researched phone book. Weave it together, doctor. In the words of Rick Atkinson (Army at Dawn, Day of Battle) you can write that the king died and then the queen died or you can write the king died and the queen died of a broken heart. This is a book for the library to buy. I plowed through the footnotes and did get some other books of interest. Bosworth is good at giving translations immediately. Interesting that in Ch 8 p215 he tells us that the word 'totalitarian' was coined in Italy. In a sea of translation and footnotes, he chooses this place to a)not give us the Italian word and b) not give us a footnote citing the speech, publication, whatever. Perhaps Dr. Bosworth's bio of Mussolini is better. A proposito... the Italian word for totalitarianism is 'totalitario' (Webster's New World Italian Dictionary, 1992).

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[J194.Ebook] Ebook Affective Landscapes in Literature, Art and Everyday Life: Memory, Place and the Senses, by Christine Berberich, Neil Campbell

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Bringing together a diverse group of scholars representing the fields of cultural and literary studies, cultural politics and history, creative writing and photography, this collection examines the different ways in which human beings respond to, debate and interact with landscape. How do we feel, sense, know, cherish, memorise, imagine, dream, desire or even fear landscape? What are the specific qualities of experience that we can locate in the spaces in and through which we live? While the essays most often begin with the broadly literary - the memoir, the travelogue, the novel, poetry - the contributors approach the topic in diverse and innovative ways. The collection is divided into five sections: ’Peripheral Cultures’, dealing with dislocation and imagined landscapes'; ’Memory and Mobility’, concerning the road as the scene of trauma and movement; ’Suburbs and Estates’, contrasting American and English spaces; ’Literature and Place’, foregrounding the fluidity of the fictional and the real and the human and nonhuman; and finally, ’Sensescapes’, tracing the sensory response to landscape. Taken together, the essays interrogate important issues about how we live now and might live in the future.

• Sales Rank: #4627652 in Books
• Published on: 2015-04-28
• Original language: English
• Dimensions: 9.25" h x 6.25" w x 1.00" l, 1.40 pounds
• Binding: Hardcover
• 272 pages

Review
'This book takes us into a world that seems oddly familiar, but as it casts a critical light on the people, places and processes through which life is made, it reveals aspects of our world that too frequently elude and slip past us. Through passionate, rich and at times deeply moving prose, this is a book that encourages us to look-again and bring into plain sight the complex, intimate and lived nature of our everyday lives.' --Angharad Saunders, University of South Wales, UK

About the Author
Christine Berberich is Senior Lecturer in English Literature at the University of Portsmouth, Neil Campbell is Professor of American Studies in the College of Law, Humanities and Social Sciences, University of Derby, and Robert Hudson is Professor of European History and Cultural Politics in the College of Law, Humanities and Social Sciences, University of Derby.

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